SUNMIN 

ssari 싸리 , 2021, pigment print, 120x98cm

Architecture of Mushroom 버섯의 건축, 2019, single channel video, color, sound, 15:18 BIG eats small 큰 것이 작은 것을 잡아먹는다, 2018, single channel...

1. 모든 떨리는 것에 대한 2 all about trembling 2, 2018, Single channel video, color, sound, 36;26 2. 모든 떨리는 것에 대한 3 all about trembling 3, 2020,...

polyhedron vs. liquid 다면체 vs 액체 , 2013, pigment print mounted on plexiglas, 83x110cm

night sky 밤하늘 , 2015, pigment print mounted on plexiglas 210x150cm

8 islands 8개의 섬, 2014, pigment print mounted on plexiglas, 34x52cm The eight islands floating on the dark night sea are, in fact, eight...

a man in the pond 연못 속의 남자, 2014, pigment print mounted on plexiglas, 80x52cm

the house of flavors 맛으로 이루어진 집, 2020, pigment print mounted on plexiglas, dimension variable commissioned by Jeongpoong Co., Ltd

documentation film of <ecological sense> at namjun paik art center architecture of mushroom , 2019, 4K single channel video, color,...

concrete landscape1, 2019, pigment print, acrylic panel, dimension variable 이 작업은 오래된 골목에서 종종 볼 수 있는, 콘크리트를 흩뿌려 처리한 벽의 표면을 찍은 흑백사진을 붉게 변하고 있는 하늘을 배경으로 콜라쥬한 것이다. 한때 불타올랐으며, 파헤처졌고 여전히 새롭게 겹겹이 쌓여가는 2019년의 구체적인 풍경이라 할 수 있다. These collages combine black and white photographs of concrete walls, which were often found in old neighborhoods. The surface on the wall were finished with splashes of concrete. The backgrounds are of skies turning to red. It is concrete landscapes of 20