SUNMIN 

Sep. 9 - Oct. 3. 2026 SPACE AEFTER Installation View 1. Swimming Pool into Air, 수영장, 공기속으로 , 2024, Graphite on archival pigment print, 81.5x61cm 2. Deadfalls, Growing Lines 쓰러진 것, 자라는 선 , 2026, Graphite and ash on archival pigment print, 75x100cm 3. Fa, La Thur., Sat.- Seven Voices 파라목토-일곱 개의 목소리, 2022-2026, Gouache on Paper and Wall, Dimension Variable 4. Fa, La Thur., Sat.- The Place 파라목토- 장소, 2026, mixed media, 15x40x75 cm Drawing the Interval, Deferring Loss Hong Ki Kim L

Pale Pink Universe - Bouquet Giocondo s 01, 2025 Bronze, silver nitrate polished patina, laminated colored glass plate, 36×46×50 cm Pale Pink Universe - Bouquet Giocondo s 01 Mockup, 2025, Stonclay, 36×46×50 cm First of the Twenty-Two, 2026, Bronze, 25 × 30 ×30 cm Artist Note : Bouquet of 22 Flowers A flower blooms
 I see a flower
 I want a flower
 I keep a flower close I try drawing a flower
 I look at what I have drawn of a flower I want what I have drawn of a flower
 I

the walk in 80 years 80년만의 산책, 2024, site-specific sound walk, 21:33 Lyric ; Taejun Lee, Sunmin Park Composition, Recording, Mixing ; Jinseok Park Song ; Jinseok Park, Sunmin Park Piano, Bass Guitar ; Jinseok Park Violin ; Hyungseon Kim Cello ; Yujin Chang Curated by Yoojung Jang, Sungbuk Cultur Foundation Documentary Video of Audience-Interactive Sound Work The Walk In 80 Years A lonely night road The stars in every window Planted a flower tree It is a spring day Some d

The Library of Echo and Frost, 2023, ice-machine, glass plates, noise-cancelling headsets, site-specific sound installation Venue : Perigee Gallery Organized by KHVATEC CSR Division PERIGEE GALLERY Curator: Seung Oh Shin Co-Curator:Myungjin Kim Graphic designer:Jinhye Jang Text: Seung Oh Shin, Sunmin Park Music:Composed and piano by Soojung Kae Recording, Mixing, Mastering by Bojan Vuletic Saxophone by Kihun Park Technical Director: Hongsik Moon Manufact

matters of standing-up 일어서는 일, 2022, ceramic, ultra clear tempered glass plates, site-specific installation You can only truly know the bottom of a feeling once you’ve poured all of it out. Not the front of a form, nor its back, nor its top—but its bottom. Usually, we begin by seeing the front, then the sides, maybe even the back. If we're lucky, we catch a glimpse of the top. But to see the bottom of a form is rare—almost impossible—which means we can never really say we've

the closure of old thickness 1 오래된 두께의 끝, 2022, aluminum casting, 62.5 x 163 x 3 cm At one corner of my studio, there had long been a growing stack of newspapers—carrying time, stories, and images. Each day, their pages initiated the act of reading,and as the days passed, they accumulated—thickening into a dense mass, gaining weight,becoming a material that connected the world and time. The surface of the newspaper linked different places and narratives each day.Although thes

pivot 7 피벗 7, 2022, ceramic, wood, papers, 25 x 94 x 25 cm

more and more, less and less - ver.1 점점 더- ver.1, 2021, site specific installation, glass plate, paint

das shweigen der bilder / the silence of images / 이미지의 침묵, 2013, pigment print, zinc sheet, dimension variable trough-project in Goethe Institute curated by sungwon kim in cooperation with sunghun choi Could you be quiet for a moment? The Silence of Images The Spirit of the Stone Mountain of Suffering in Paradise Hellish Is Paradise Let That Be Left There 조용히 좀 해주시겠어요? 이미지들의 침묵 돌의 영혼 천국에 있는 고통의 산 지옥같은 천국 그걸 거기에 그냥 내버려두세요 Koennte ihr mal stil sein? Das Schweigen der Bilder

deoksugung project - group exhibition curated by National Museum of Contemporary Art Korea National Museum of Contemporary Art Korea, Commission, 2012 국립현대미술관 커미션, 2012, Crystal vs. Decision결정 (結晶) vs. 결정 (決定) , 2012, crystal blocks, dimension variable daystar 1, 2011, single channel video, color, sound, 0:42 daystar 2, 2011, single channel video, color, 2:50 daystar 4, 2012, single channel video, color, 2:15 daystar series in junghwajeon 데이스타 연작 중화전 버젼, 2012 a small vehicl