

matters of standing-up
matters of standing-up 일어서는 일, 2022, ceramic, ultra clear tempered glass plates, site-specific installation You can only truly know the bottom of a feeling once you’ve poured all of it out. Not the front of a form, nor its back, nor its top—but its bottom. Usually, we begin by seeing the front, then the sides, maybe even the back. If we're lucky, we catch a glimpse of the top. But to see the bottom of a form is rare—almost impossible—which means we can never really say we've


the lines that are erased while drawing
the lines are erased while drawing 그리면서 지워지는 선, 2021, single channel video, color, sound 단채널 영상, 컬러, 사운드, 33:13 Direction : Sunmin Park Camera : Hyosook Chin Edit : Dongkoo Jung, Sunmin Park Sound: Jinseok Park Machine Production : Sungjin Jang Performance : Hyeon Wook Cha, Hyo Ri Cho, Dongkoo Jung, Sungjin Jang, Sunmin Park Curator : Sooyoung Lee Curatorial Assistance : Nayeon Kim Commissioned by Gyeomggi Museum of Modern Art, 416 Foundation Memorial Exhibition for the 7th


the way up, slow detour
천천히 우회하며 오르는 길, 2020, site specific installation, wood plates, metal construction in cooperation with Yoomi Choi, Diana Lab curated by Sungmin Lj photo by Woonsik Lee The way up, slow detour Sunmin Park The way is from the outside of daily life to the inside of art. The detour takes longer than the straightaway, but the process of moving from daily life to art slowly and smoothly happens without any obstacles. A slope, where the wheels can roll, is for the two legs also. A st


Soje Flora-Regenerating scenery
Soje Flora-Regenerating scenery 소제도감-소생하는 풍경, 2020, space specific installation all about trembling 3 모든 떨리는 것에 대한 3, 2020, single channel video, color, sound, 08:53 camera, sound, edit by Sunmin Park botanical advisor by Jungnam Suh support by cncity foundation in cooperation with chichi studio Soje Vegetation Atlas-the reviving scenery What first emerged in Soje-dong was not architecture, but vegetal excess—trees exceeding the limits of walls and rooftops, forming dense, g


the library of whisper and sleep
the library of whisper and sleep 속삭임과 잠의 도서관, 2019, sound installation, 240x240x120 cm commission by namjun paik art center. photo by seungwon yang The Library of Whisper and Sleep presents an imagined future library having a collection of information related to seven endangered plants in Korea. Field sounds recorded in their natural habitats and the text written by botanist Nam Soohwan are placed on the under the table. For the artist, a library means a vast universe and a


names you meet in the forest
names you meet in the forest 숲에서 만나는 이름들, 2019, marker on the window - ongoing project I wrote the 770 whole botanical names of plants from the forest in Jeju Island in Korea. Jeju Island's forest, called Gotjawal, has a very unique eco system, because Gotjawal vegetation in Jeju Island is distributed in the lava zone, generated by volcanic activity. It is one of the rarest vegetation in the world, and belongs to the temperate forests. The window in the museum is facing one


Insidedistuo
Insidedistuo 안에서에밖 , 2018, ice machine, signboard, site-specific installation gallery instant roof, seoul 저 먼 밖에서 고속도로를 달리다 찍은 SOS 표지판이 부엌 구석에서 광고 스티커처럼 붙어있다. 무엇이 위급하다는 것인가? 단지, 고속도로 밖이 아니라 부엌 안에서 냉장고 안이 아니라 밖으로 뚫고 나오기 시작한 얼음덩어리가 공기중의 습기를 먹으며 고요하고 자잘한 부엌 집기들 사이에서 어느새 조금씩 자라고 있을 뿐. 박선민 작가노트


6 minutes versus version1
6 minutes versus version 1 / 6분 대비, 2016, single channel video, 6;30 ongoing project.(2015,dec~2017.feb) video & edit : park sunmin viola & music : yoo changyoun sound engineering : kim yongsung supported by sorok island when words fail / 말없는 미술 at hite collection 6 Minute Versus was developed through monthly filming at Gubuk-ri Beach on Sorokdo over the course of a year. In this sense, the work can be understood as a long-term time-lapse compressing a year of gradual chan


2016 - 1916 sorok island
2016-1916 sorok island 2016-1916 소록도, 2016, photo documentary project A photographic project created to mark the centenary of Sorokdo, which was established during the Japanese colonial period as an isolated settlement for people with Hansen’s disease. The project captures the island’s distinctive mise-en-scène, formed by the historical scars of persecution endured by its residents during the colonial period, the ruins of modern architecture, and the natural environment pres


seasons- spring, summer, autumn, winter
seasons- spring, summer, autumn, winter 계절들- 봄, 여름, 가을, 겨울, 2014, 피그먼트 프린트, 500x800cm commissioned by KT&G Sangsangmadang KT&G 상상마당 커미션 프로젝트 Commissioned for the opening of KT&G Sangsangmadang Stay in Chuncheon, the work was installed across four walls in two double-height lobbies connecting the first and second floors and the third and fourth floors, respectively. Plants collected throughout the four seasons—spring, summer, autumn, and winter—were photographed in close-up an